Few visuals capture the spirit of regime change as much as toppling the monuments of the previous regime. In the case of Libya, revolutionary protesters on YouTube topple a monument to Muammar al-Qaddafi’s revolutionary Green Book.
The future is unwritten!
Katya, of non-profit marketing blog, spotted this in the lobby of a tony midtown office building:

It’s a nice gesture — and I’m certainly going to think of this wherever I see those red flowers this season.
From Peter Linebaugh in CounterPunch:
“On the 11th hour of the 11th day of the 11th month the Great Powers of the World signed the armistice laying down arms after four years of the bloodiest war in history. That was 1918.
Now, we call it Veteran’s Day.
What caused the armistice was the refusal of soldiers to fight. They refused ‘to go over the top’ anymore. In Russia, France, England, Italy they refused to participate in the slaughter which had begun in 1914.
What we learn from Armistice Day is that the soldier is the front line of the peace movement.”
GI refusal also helped end the war in Vietnam, and it’s spreading in Iraq and Afghanistan, too, encouraged by veterans speaking out.
Visual AIDS has posted a small gallery of typographically-driven work from artists with HIV. In context, some of the images are quite devastating. Here’s the curator’s statement. 
Source: http://www.armytimes.com/news/2010/04/military_veterans_suicide_042210w/
While there may not be so many “unknown soldiers” any more, it seems like there are more and more forgotten ones in our midst.
Yesterday, Howard Zinn passed away. A former World War II bombardier turned life-long activist, teacher, and radical historian, Zinn inspired and touched the lives of many. His watershed book A People’s History of the United States told the stories of atrocities and brutality, activism and organizing often ignored by mainstream accounts of US history. His anthology of primary sources, Voices of a People’s History of the United States led to the founding of a non-profit organization that holds dramatic readings of the works across the US: “By giving public expression to rebels, dissenters, and visionaries from our past—and present—VOICES seeks to educate and inspire a new generation working for social justice.”
Democracy Now! aired an hour-long tribute this morning. If you subscribe to Netflix, you can watch this documentary on his life and work. There’s more audio, video, and text at howardzinn.org.
Sadako Sasaki was two years old when she survived the atomic bomb dropped on Hiroshima on August 6. 1945. Ten years later, she became gravely ill and was hospitalized with leukemia. She began folding paper cranes in hope of making a thousand, which according to Japanese legend would allow her to be granted one wish — to live. However, when she realized she would not survive, she wished instead for world peace and an end to suffering.
She folded 644 cranes before she became too weak to fold any more, and died shortly after. Sadako’s story has been popularized in books, movies, and music, including a widely translated children’s book in 1965 by an Austrian author and the American children’s book Sadako and the Thousand Paper Cranes published in 1977.
The origami paper crane has since become a symbol of world peace. Paper cranes and lanterns are floated each year to remember those who died from the bombs and to call for peace and disarmament.